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Pro Tools will now render all of the tracks to audio files that will be the exact same length, so you can drop them all into another DAW, or start a new clean session.
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#HOW TO RECORD IN MP3 FORMAT PROTOOLS 12 PC#
Or you can use Ctrl+Shift+3 on a PC or ‘Alt+shift+3’ on a Mac. Once your track is selected (or you can do multiple tracks at once), go to the edit menu and select the ‘consolidate clip’ option. To consolidate all clips on a track, drag your cursor to select all the blocks of audio – make sure you drag your cursor all the way to the beginning of the timeline, so your consolidated clip will line up with the beginning of the project if you’re importing into a new session or a different DAW.Īlso make sure that your selection goes all the way to the end of the song. It’s also easier to import into another DAW – as you can just line a consolidated clip up with the beginning of the session. You’ll want to join them all together into one track, which makes it easier to work with. If you’ve been editing timing, or splicing multiple takes together, your track could have a number of different blocks of audio. If your track is made up of multiple different audio blocks, you want to consolidate these clips so each track just has one solid audio block. We’ve now created any new fades needed and we can be confident that all the audio tracks are faded correctly, avoiding clicks and pops 2. Click the top option labelled ‘ to activate the group for all tracks. You’ll see the ‘Groups’ editor in the bottom left portion of this sidebar. To use this tool, first click the icon in the bottom right corner of the screen to pop out the left sidebar if it’s not already visible. There’s a tool in Pro Tools called Batch Fades that allows you to add crossfades between all audio clips in your project. But it’s a good idea to make sure and add any that are missing to avoid pops and clicks that could be heard between audio files that are cut off without fades. You may have done this as you’ve worked through your recording and editing process. If you’ve recorded multiple takes and punched sections into the song or done any timing edits to your audio files, you need to make sure you crossfade between each audio block. There are a few steps to the process, in this article we’ll talk through and explain each of the steps. Bouncing an individual track makes it easy to do both of these. You may be sharing files with someone using a different DAW, or you may want to simplify your session if you’re working with a lot of tracks. This process is also known as bouncing individual stems. There are a number of reasons why you will want to bounce (export) individual tracks from your session in Pro Tools.